Yes, that’s me standing in the Red Square in Moscow. And yes, Saint Basil’s Cathedral looks like a giant Carvel ice cream cake. It was certainly cold enough to stay frozen (see below)! My trip to Moscow was a great adventure, and I’d like to share some of the highlights with you.
The purpose of my trip was a private performance, held in a bona-fide palace owned by the Russian Foreign Ministry. I was invited to perform at the 60th birthday of Yuri Bashmet – one of the world’s finest viola players. Also present were my dear friend Anne-Sophie Mutter, and renowned conductor Valery Gergiev (of the London Symphony Orchestra). The audience was mostly Russians and Germans, but this was an extremely cultured crowd, and […]
A cluster of of well-to-do couples huddle in the lobby of the Waldorf Towers in New York City, buzzing with anticipation. At the stroke of 8:45 p.m. on Saturday evening, a tall man in a tailored suit ushers everyone into a gold-plated elevator – the same one that the President of the United States rides when he stays in New York. Primping and fidgeting, the group lines up at a suite at the end of a hallway on the 35th floor. 58 people file in for tonight’s magic show in Steve Cohen’s living room, run solely by word-of-mouth.
Cohen’s “Chamber Magic” shows inspire an intimate, old-timey parlor feel. Attendees, many of whom have purchased tickets months in advance, are expected to dress well. He doesn’t bother with hats, rabbits, or sleight-of-hand tricks; instead, he uses one gleaming tea kettle to produce five different drinks at the audience’s request.
At age 10, Cohen worked the elementary school circuit, appearing at kids’ birthday parties and Cub Scout meetings. Now, he brings in about 300 viewers each weekend – including high-profile guests like Martha Stewart, Barry Diller, and David Rockefeller – and a seven-figure annual income. “I put people in an environment where anything can happen,” Cohen says, pausing to sip Kombucha tea (the ginger helps his throat). “People start thinking, Maybe there’s another force in the world, and this guy has control over it.”
We all know New York can be a magical place. But did you know that there’s real magic happening here? You only have to know where to find it.
Back in the 1800s, parlor magic was all the rage. European aristocrats would invite conjurers to entertain their guests with sleight-of-hand. Today, the tradition continues, and you don’t have to be a Vanderbilt to be invited. You do have to dress up, though.
Steve Cohen is “the Millionaire’s Magician” — he’s performed for Warren Buffet and the queen of Morocco, even at […]
For over one hundred twenty years, Carnegie Hall has been a world-famous venue for music, but not magic. It was an honor, then — a once-in-a-lifetime achievement — to be able to perform my full evening magic show there on January 12, 2012. The show ran two hours, and received a standing ovation from the sold-out auditorium.
I’d like to thank all of you who came to the show. I’ll always remember the electric anticipation you projected as I walked on-stage. Looking out at you, I felt anticipation too — like we were creating a historic moment together.
Throughout my career I’ve always believed that magic has the potential to stand shoulder-to-shoulder with other performing arts, such as ballet, opera and orchestral music. Magic can be more, much more, than a simple diversion. The artistry required to construct and stage a theatrical magic show is on par with the training, thought and creativity required to present other traditional art forms.
My personal goal in staging a magic show at Carnegie Hall was to prove that the art of magic is capable of accepting its due respect, if only we give it the chance. It was immensely satisfying to see that the public supported this belief; the entire theater was sold-out months in advance.
Because I am used to performing for small audiences of 50 people at the Waldorf-Astoria, the nearly 300-seat Weill Recital Hall presented some challenges. I did my best to cross the footlights and reach out to the entire audience, even up to the balcony.
In this blog, I’ve composed a full report of the evening, from my perspective as performer and producer […]
Magicians and secrets have a funny relationship. The normal people who comprise our audiences watch us perform miracles and cannot begin to imagine how a person might learn the requisite techniques and other arcane knowledge to accomplish the impossible. Magicians on the other hand know all about the vast oceans of literature (in print and on film) obsessively detailing and documenting the history and lineage of all these bizarre, clever and wonderful ideas. They know you can walk into a magic shop and buy whatever you like without having to fight a dragon or some other kind of mystic wizard’s trial. They worry that their audiences will run home after watching a performance and look for the explanations on YouTube. The “secrets” are out there, if you care enough and know where to look. And yet, magicians and laymen can look at the same “miracle” and both be mystified—if for different reasons.
For example, many close-up magicians know the story of Max Malini’s famous production of a brick or a block of ice from under a hat as recounted by Dai Vernon in Stars of Magic. Vernon was tasked with watching Malini over the course of an evening’s dinner performance to try to pin down the little man’s sleight-of-hand secrets—in particular the the block-of-ice-under-the-hat trick. Throughout the full evening’s meal, Malini never left the table. Malini then proceeded to perform the trick and “…when Malini lifted the hat, a block of ice the size of four fists lay in the center of the table […] Vernon swears to this day that ‘The little bugger had no time to load up.’” While the regular audience members wondered how the ice got under the hat, Vernon was dumbfounded as to how the ice got to the table at all. A bribe to the waiter proved unsuccessful, and they never found out from where Malini had procured the ice.
On the other hand, whenever Steve Cohen performs the trick as the opener of his exclusive Miracles At Midnight show, the source of the block of ice is somewhat less of a mystery. The show is his second as part of his residence at the über-opulent Waldorf-Astoria in Manhattan. The kitchen at the Waldorf-Astoria is located on the second floor and takes up the area of a full city block. “They have a huge walk-in freezer, and they’ve let me have a whole shelf in there just for blocks of ice for this trick. I used to go down myself to fetch the ice, but it gets so cold in that freezer that our arrangement now is that I simply ring down to the kitchen and they run one upstairs for me at the beginning of each show.” Of course. Everything’s easy once you know the secret.
But while Steve’s audiences—like Malini’s—are astounded at the appearance of the ice under the hat, magicians marvel at something else. They don’t marvel at how the ice appeared under the hat or how the ice got to the table, but at how Steve Cohen himself has managed to “magically appear” in residence at the Waldorf-Astoria with not one, but two elegant, high-end magic shows—one of which costs $250 per person. For close-up magic! And coming this January, Steve will be premiering a stage show at a local Manhattan venue named Carnegie Hall. Compared to those “miracles”, blocks of ice and bricks under hats might as well be the old stretching thumb trick your uncle does […]
As readers of this blog know, I am somewhat infatuated by Max Malini, the extraordinary magician who entertained celebrities, tycoons and aristocrats. I’ve modeled my career on his, and have been tracking down Malini stories for years. Many of these stories are chronicled throughout this blog.
I recently acquired Malini’s advertising booklet at auction (circa 1926) and was delighted for two reasons simultaneously. First, it is an honor to own this historic memorabilia of a prominent magic figure. The booklet is in very good hands.
Second, the text of the booklet has confirmed that Max Malini stayed and performed regularly at the hotel where I’ve presented Chamber Magic for the last decade: the Waldorf-Astoria in New York.
In his advertising booklet, he includes laudatory letters from prominent figures, including President Harding. Here is one of the inside pages, containing personal notes from General Pershing and Vice President Charles Dawes […]
Buzz Aldrin after my performance in New York: “I used to think Saturn V was a miracle. But your show – this was a real miracle.”
I performed magic last week for NASA astronaut Buzz Aldrin and a fascinating group of space tourism supporters.
Buzz let me use his ring for one of my tricks – the ring HE WORE ON THE MOON!
Without a doubt, that experience trumps all the other notable rings I’ve borrowed in the past, including a Super Bowl ring, and Ellen Barkin’s wedding ring.
I still can’t get over it. I held the ring Buzz Aldrin wore while walking on the moon. And he let me use it in my show. What an honor.
My favorite comment after returning from my Philadelphia tour was an email I received from a guest. He wrote, “Your show is a thing of beauty, a magical symphony.” Wow. What a nice compliment. But I must say that Philadelphia audiences – who came out in droves to the magnificent Four Seasons hotel last week – made my job a pleasure indeed.
Whenever I launch the show in a new city, there is considerable risk on my part. Will people show up? How do I get the word out? Do I have any fans in that city who can help drum up interest?
Fortunately, Philadelphia is close enough to my home base in NYC that the word spread quickly. I even got a little advance press on a cool blog that has a large local following. The four shows sold-out swiftly, even before I arrived in town.
Another part of the risk in performing in a new city is that […]
It’s the dream of any performer to stand on-stage at Carnegie Hall, presenting what they’ve trained their entire life to perfect.
I’ll have my chance on January 12, 2012, and I’d love it if you would share this momentous evening with me.
Carnegie Hall has three performance venues – I’ll be performing in their most intimate: Weill Recital Hall. Tickets went on sale this morning at 11:00am, and the box office tells me that they had people queuing up on the phones, waiting for the sale to begin.
This is a one-night only performance of my stage show “Theater of Wonder” – which is entirely different from “Chamber Magic,” now in its eleventh year at the Waldorf-Astoria hotel. If you’ve been to my smaller show and want to see more magic, “Theater of Wonder” is for you.
Tickets are available at the Carnegie Hall box office (57th Street and Seventh Avenue), through CarnegieCharge at 212-247-7800, or online […]
Vera Wang referred to Steve Cohen as the best-dressed magician she’d ever seen. Cohen was hoping for just best dressed. When the dandy magician isn’t shocking the who’s who of New York City from his private suite at the historic Waldorf Astoria, he’s conjuring up bespoke suits from London and ties from Tokyo’s finest men’s shops. In between ducking in and out his closet to show off more “gems,” we asked Cohen a few questions about his personal style influences and the importance of always dressing the part.
GQ: You go by the Millionaires’ Magician. You probably have a lot of well-dressed spectators.
Steve Cohen: [Hesitant laugh] Oh, sure but I wouldn’t particularly be able to say who’s well-dressed, because sometimes you get wealthy folks who come through who are dressed in casual clothes. Sometimes people, especially the nouveau rich, will intentionally not dress to look wealthy. They call it “Stealth Wealth.”
GQ: Let’s talk about the dress code. It’s a pretty audacious move to tell a room full of millionaires what to do.
Steve Cohen: One time I had a fellow come to my show who was wearing […]
